The performances are excellent, Gerard Butler quite terrifying as Phantom, and Emmy Rosum as beautiful as ever as Christine. Venue: Pantages Theatre, Hollywood (Through Feb. People have complained that the film has too much music, almost all of it is sung, but it is a musical, set in an opera house bear in mind. Anderson as the amusing Monsieur Firmin and Monsieur Andre, respectively. In fact, people are still trying to unearth how much of this book is true and how much pure imagination. Others lending strong support are Anne Kanengeiser as morose Madame Giry, who brings to mind Dracula’s housekeeper, and Bruce Winant and D.C. My review of The Phantom of the Opera The mingling of fact and fiction: The remarkable thing about The Phantom of the Opera is that it makes you unsure whether you are reading about real events or fictitious. Opera and silent film are both art forms that might seem antiquated and played out, particularly in these irony-rich times. More to the point, even to one not accustomed to watching silent films (like me) this is a genuinely eerie movie. Kim Stengel’s sparkling Carlotta, Christine’s soprano rival, also is a highlight. The Phantom of the Opera is a high-budget silent film and looks it. The many opera scenes of comic relief are an additional pleasure, each one sumptuously staged and exquisitely costumed. Kyle Barisich is agreeable as Christine’s impetuous suitor Raoul. It’s not hard to understand what the Phantom sees in his beauteous protege. Trista Moldovan, as spellbound Christine, has a lovely, crystalline soprano that underlines the character’s innocent yet troubled heart. See what all the critics had to say and see all the ratings for The Phantom of the Opera including the New York Times and More. His handsome tenor can be both tender or menacing, and in the final unmasking scene he brings a stirring emotional reality to the evening’s gothic thrills. Reviews of The Phantom of the Opera on Broadway.
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John Cudia is a grand Phantom, full of romantic longing, erotic obsession and just the right touch of madness born of deep despair.
Capping everything, the production is a perfect match for the bygone splendor of the Pantages Theatre.Īs for the cast, if you’re a Michael Crawford devotee, don’t fret. Universal Studios elaborate and expensive remake of their classic 1925 silent horror film THE PHANTOM OF THE OPERA boasts fabulous sets, gorgeous costumes.